Friday, September 28, 2012

The Ballad That Never Should Have Been - 09/28/12


There's a pub at the end of the world where the dead kids drink their dreams away. There's a hole in the wall at the end of it all where the sinners cry blasphemy. And the only two that you need to know are called Lonely and Miserable, so take two shots of all they've got and call me when your life is over.

The only kids in the world
are the ones who haven't 
died yet,
because the only kids in the world
are the ones who haven't
tried yet.
And the laughter you hear,
full of dread,
full of fear,
is from the one
who are already gone.
And the smirks that you see,
full of glee,
- misery -
are the ones that are singing
this song.

Lonely and Miserable
hit the road
in an old station wagon
with no where to go,
with the last of their marbles,
and a heavier load
than they would never
return with,
so that at the end of it all,
at Hell's last call,
at the peak of a mountain,
on the edge of The Fall,
they could lose all control,
they could lose their souls,
and know how it
so wasn't worth it.

From St. Sanity
to the Point of No Return,
fighting vanity
and they lessons they
didn't want to learn,
they found thirty bullets
and thousands of pills.
So with their limited knowledge
and minimal skill
they decided to burn
it all down
to the bones,
to the shell
of the home
they could not longer find,
the security that had died,
the loves that had lied.

In the Shady Part of Town,
they found a pub
at the end of the world
where they gambled
happy memories away.
In small little towns,
they met friends
all around,
with whom they
could never stay.

Because the only kids in the world
are the ones who haven't
died yet,
because the only kids in the world
are the ones
who haven't tried yet.
And the smiles that hid the lies
and the midnight cries
are all you want to see.
And the hints here and there,
evidence so bare,
you just let it be.

Lonely and Miserable
hit the road
in an old station wagon
with no where to go,
with the last of their marbles,
and a heavier load
than they would never
return with,
so that at the end of it all,
at Hell's last call,
at the peak of a mountain,
on the edge of The Fall,
they could lose all control,
they could lose their souls,
and know how it
so wasn't worth it.

From St. Sanity
to the Point of No Return,
fighting vanity
and they lessons they
didn't want to learn,
they found thirty bullets
and thousands of pills.
So with their limited knowledge
and minimal skill
they decided to burn
it all down
to the bones,
to the shell
of the home
they could not longer find,
the security that had died,
the loves that had lied.

In the blackness they awoke
to and echo when they spoke
of the deeds
that it seems
no one speaks of.
And in one universe,
no one wrote this verse,
and no one ever dies.
But in this one



Lonely and Miserable
hit the road
in an old station wagon
with no where to go,
with the last of their marbles,
and a heavier load
than they would never
return with.

Friday, September 14, 2012

West and Lance - 09/14/12


I wrote you a letter
And I sent it in the mail
And I hope that you get it soon
Because life is better
Though the world is frail
And I need you to know it too

The internet can't deliver
Butterscotch candies
You can't fill and email with glitter
It's enough
To keep in touch
But heartache requires so much
More to keep you from growing bitter

So I wrote it all down on paper
And shoved it all inside
An envelope no bigger
Than the words that I did write
I sealed it with a poem
I signed it with a sigh
I sent it off to no one
Who can't tell truth from lie

I wrote you a poem
And I sent it in the mail
And I hope that it finds its way home
Because despite the world's solemn
And despite the world's ail
I want you to know how I’ve grown

I’ve written 300 poems
About giving up
And only a dozen about trying
I’ve spent so much time
Keeping it all inside
From the actually tears
To the fear of crying

So, Hallelujah,
You can break me down
Any time that you like
Because though he's on the east coast
And she's within a day's bike ride,
It'll always be there names
Those cords bring to mind

So I wrote it all down on paper
And shoved it all inside
An envelope no bigger
Than the words that I did write
I sealed it with a poem
I signed it with a sigh
I sent it off to no one
Who can't tell truth from lie

I won't ever know
Whether it was just a phase
But I know that I never will care
Because each painful step
On each tortured leg
Are my stories to share
Are what got me from there to here

This is what I need to tell you
This is what you need to hear:
I love you, I miss you,
I'll never forget you,
Our friendship grows stronger each year,
You're brilliant, you're beautiful,
Hilarious and wonderful,
Steadfast and noble,
Insane and uncontrollable,
And you've given me the strength
And the hope and the brains
To continue without any fear

So I wrote it all down on paper
And shoved it all inside
An envelope no bigger
Than the words that I did write
I sealed it with a poem
I signed it with a sigh
I sent it off to no one
Who can't tell truth from lie

Wednesday, September 12, 2012

Physics Shorts - 09/12/12

I.
Waves, waves everywhere
Oscillations in my hair
Physics is made up of oscillations
Described in mathematical incantations

II.
Frictionless surfaces are so much fun
Vacuums are where the best physics is done
Think it's impractical and can't hack it?
Then get out of Theoretical and into Mechanics!

I Hope It Wasn't Taboo - 09/12/12

Standing on the pulpit
of a Catholic chapel
doesn't bring me any closer
to God
than sitting in the woods.
I figured that as long as I was
at a Catholic school,
I might as well look around
and see if he 
was there.

I met him once
in my backyard,
watching cottonseeds exist
and I met him again
in my bedroom,
sipping orange juice
and blasting music.
I created him in my mind
and I've killed him
once or twice.
I've asked him about math and physics
and about fate and destiny,
mostly to yell and argue,
because he never gives any answer.
He was my favorite hallucination
for a couple of weeks,
but now I like
the characters in my stories
a bit better.
But I haven't seen him here
at a Catholic school.
His "son"
is in every one of my classrooms,

but where is he?

Tuesday, September 11, 2012

Una Taza de Corazón - 09/11/12


La cosa sobra
té con cafeína
es que lo tiene
cafeína pero
no tiene tan
mucho cafeína
como café.

Café me hace
saltar y correr
cuando quiero
escribir o estudiar.
Café me hace
dormir y descansar
cuando quiero
saltar o correr.
Café me hace
escribir y estudiar
cuando quiero
dormir o descansar.

La cosa sobra
té con cafeína
es que no lo
tiene tan mucho
cafeína como café.
Té me hace
calma y tranquila
cuando todo mi
trabajo me ha
rabiado.
Té me hace
escribir con fuerte
cuando mi estrés
ha robado mi
imaginación.
Té me hace
sonreír
donde café
me haga
querer llorar
con tema.

Café me da
dolor de mente.
Té destruye
mi pena.

My Best Pens - 09/11/12


The best pens
I’ve ever had
were stolen from
classroom floors
and Debate tournaments,
the ones no one
thought enough of
to remember
to bring home
became the ones
I panic over
misplacing
and use to scribble
poems in the margins.

Sunday, September 9, 2012

Graffiti Poetry #8 - 09/09/12

I guess you can call me 
metalloid
because I’m both
brittle and ductile,
shattering when pounded
but drawn into wire
when pulled and stretched.
I guess you can call me
metalloid
because I’m slipped in between
the tough, practical metals
and
the fluid, brilliant nonmetals
but do I take the
good qualities of both
and make them bad,
the bad qualities of both
and make them good,
or some combination
thereof?

I guess you can call me
Socrates 
because I do not
know.

Thursday, September 6, 2012

Graffiti Poetry #6 - 09/06/12

Mother Sky looks over her brown daughter,
Earth,
barren and lonely,
cold and dry,
and lifts a thick blanket of ocean
over her land,
soaking the cracks of the desert,
filling the holes of the plains,
trickling in the seams of mountains,
until the two inanimate
grow life.

Graffiti Poetry #5 - 09/06/12

Each human being
is burdened with
the seeds of creativity,
the building blocks
of beauty,
the framework of elegance,
the blueprints of perfection,

which we use to build bombs.

Can't you imagine
a world where those tools
are used for creation?

Graffiti Poetry #4 - 09/06/12

I should have known
that it would eventually
come to pass
that I would start
to dream in math.
Not about
doing problems for a class,
but thinking -
dreaming -
in terms of math.

A friend of mine
who studied Spanish
would occasionally
dream in it.
Those who think
in pictures and colors
must dream more brightly
than others.
Those who think
in words and phrases
have nightly visions
that look like pages.
So it makes sense
for on who thinks
in numbers and equations
to come to dream
the same.

Wednesday, September 5, 2012

Graffiti Poetry #3 - 09/05/12

Through the jungles of equations
and over mountains of facts,
I have stalked
the ever-leaping chalk,
seeking the meaning of life,
the answer to all that is,
and what will be
on next week's quiz.

Graffiti Poetry #2 - 09/05/12


I think that I shall never see
a sight as lovely as
a PhD,
an image that gets
me through each lecture,
knowing the outcome
will make it all better.

Tuesday, September 4, 2012

Graffiti Poetry #1 - 09/04/12

Have you ever watched
a ribbon of chalk
cascade down blackboard
waterfalls,
louder than the high school halls
we've finally escaped?
It's never too late
to return to the lesson at hand
and watch the ribbon of chalk
move in your professor's hand . . .

Morning Haiku - 09-04-12


Earl Grey, Batch Number
T-400108
Cream, Sugar, Honey

A Veces - 09-04-12


A veces
el mundo
parece
como
una película
que usó
demasiado luz.
Todos los colores
se rabian
con los ojos.

Especialmente
en las
mañanas.

I've Never Met Anyone as Creative as a Physicist - 09-04-12


I’ve never met anyone as creative as
a physicist,
and I’ve met a lot of people
who called themselves artists.

I've met sculptors
who could recreate the figure of a man
in marble
and ones who could stimulate
the feel of the wind
in the folds of stone clothes
and ones who sparked chaos
in the hearts of viewers
with the combination of colored glass
spheres and spikes
on black marble,
but I’ve never met anyone as creative as
a physicist.

I've met poets
who could change childhood memories
into political allegories
and ones who made screams
sound like the lullabies
your mother never sang
and ones who made you taste
their potent lyrics,
some shoved down your throat
like medicine
and others slipped in your drink
when you weren't looking,
but I’ve never met anyone as creative as
a physicist.

I've met painters
who turned three pigments
into all the colors of the world
and ones who lathered brush strokes
so thick
you could see them come out of
the canvas
and feel the peaks and valleys
of the landscapes
and ones who gave a physical form
to the deepest feelings
I've never known how to put to words
in poetry or conversation,
the kind of feelings that when people ask,
“Are you alright?”
you just cannot answer,
but I’ve never met anyone as creative as
a physicist.

I've met musicians
who found the resonance frequency
of the human heart
and ones who could turn a melody
into a memory
without ever uttering a word
and ones who wove so many
different sounds together
to produce one simple harmony
that makes me shiver
every time
it flirts through my ears,
but I’ve never met anyone as creative as
a physicist.

The artists use that which we
see or touch or hear or smell or taste
to speak of all the things
that we can't
see or touch or hear or smell or taste.
They create new ways to
understand love
and life
and pain.
They create
that which we feel
in that which doesn't feel.

But a physicist
takes that which we can
see or touch or hear or smell or taste
and all that which we can't
and organizes it
in ways no one else has imagined,
no one else has fathomed,
no one else bothered to look for.
But a physicist
sees that which it is physically impossible to see,
touches that which has no mass,
hears frequencies over your ears' capabilities.
But a physicist
puts it all together.
But a physicist
creates everything
from the smallest particles
to the biggest galaxies
in equations,
turns patterns into predictions,
makes meaning from madness,
creates coherence in chaos.
But a physicist
fathoms all that is -
not limited to
that which their mind
or their heart
already knows -
and forms it such that
we all can comprehend it.

But a physicist
finds ways
to simplify the cosmos
while the artists
try to fill it up with
meaning.

I have never met anyone as creative as
a physicist.

Saturday, September 1, 2012

A Plant is Not an Individual - 09-01-12

One small church in North Portland
had an unfinished mural
in a basement that hasn't been used in six years,
and a Sunday School teacher
who wrote a lesson each week
for a class of only herself.

But we thought to fix it
because a plant is not an individual -
one blade of grass
connects to its kin -
as you can see by
hacking ivy to the ground
only to watch it refulrish,
the raspberry vines
clawing up from the dirt
only a few days later,
the rose rooted deep
in the cement.
Something more lurks
beyond berries,
beyond leaves,
beyond vines,
beyond what what we think of as a plant.
But a plant is not an individual;
it would not refer to itself as I,
but as we;
it will not whither when bits die,
does not bleed when leaves fall.


Yet even when
the hoe overturns the earth
and the ivy have been tugged
and the raspberry vines have been cut
and one persistent root has been extracted
from a its encasing of a chunk of cement,

all I find are hidden garlic clovers,
growing wild under the ivy.